Rosie Kavanavoch

Until Never will re-open on March 17 2010

15 January, 2010

Until Never is currently closed for research.
We re-open on March 17 for The World of Kmossed by Rosie Kavanavoch.

Hasta Nunca!
Amac

Marcos Davidson

Marcos Davidson - Artist Talk No.2

31 October, 2009

The street-based origin of the hallmarks of Marcos Davidson and their application in his works.

Marcos Davidson

Marcos Davidson - Artist Talk No.1

24 October, 2009

The Age of the Plastiquarian: Bakelite the first 3D man-made material Saturday 24.10.09 2PM
Marcos pays respect to the incredible capacity this material endows in each piece of bakelite he transforms into an object of beauty through his jewellery pieces. In connection to his exhibition The House of Hallmarcos, Until Never invites you to a 30-minute artist talk with Marcos Davidson to learn about this historical and now antique material, known as the first 3D synthetic material, and its role in his work over the span of his 30 year career.
 

Marcos Davidson

Marcos Davidson studio

10 October, 2009

Now Showing at Until Never

Gold and Silversmith, Gem-Hunter, Metallurgist & Plastiquairian . Marcos Davidson founded his studio Au-Gusto Inc, in 1979, as a Bespoke Jeweller & Conservationist.Exhibiting widely and regularly, he has established a healthy profile as one of the most engaged and idiosyncratic jewellers in practice today, operating out of his wonderfully eclectic, light-drenched studio in Flinders Lane, Melbourne.

 

Concettina INSERRA & Nat THOMAS

Nat Thomas and Concettina Inserra win the William and Winifred Bowness Prize 2008

9 May, 2008

Until Never is proud to congratulate Nat Thomas and Concettina Inserra on taking out The William and Winifred Bowness Prize 2008. 

PRESS RELEASE
The winners of the William and Winifred Bowness Photography Prize for 2008 are Melbourne-based artists, Concettina INSERRA & Nat THOMAS.

Their collaborative submission to the competition, a chromogenic print titled Portrait of mother and daughter, after Mirka 2008, is a homage to the Melbourne artist Mirka Mora and in a broader sense, the place of 'family' within artistic practise.